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Understanding the Guitar
Tab Staff
Tablature Symbols
The numbers don’t really
describe the subtle techniques that a guitarist can execute, these are the
tablature symbols that represent various techniques.
-
h – hammer on
-
p – pull off
-
b – bend string up
-
r – release bend
-
/ – slide up
-
\ – slide down
-
v – vibrato (sometimes written
as ~)
-
t – right hand tap
-
s – legato slide
-
S – shift slide
-
– natural harmonic
-
[n] – artificial harmonic
-
n(n) – tapped harmonic
-
tr – trill
-
T – tap
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-
TP – trem. picking
-
PM – palm muting
-
\n/ – tremolo bar dip; n =
amount to dip
-
\n – tremolo bar down
-
n/ – tremolo bar up
-
/n\ – tremolo bar inverted dip
-
= – hold bend; also acts as
connecting device for
hammers/pulls
-
<> – volume swell
(louder/softer)
-
x – on rhythm slash represents
muted slash
-
o – on rhythm slash represents
single note slash
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Reading Guitar Tab
Guitar tablature (tab for short) is a system of notation that graphically
represents strings and frets of the guitar fretboard. Each note is indicated by
placing a number which indicates the fret to play, on the appropriate string.
With these easy instructions you will be able to understand how to read and
write guitar tab in 5 minutes.
The Basics of Reading Guitar Tab
To start out, tabs are written in lines, each line representing a string on
the guitar. The thickest string being the bottom most line and the thinnest
string being the topmost.
e--------------------------------
B--------------------------------
G--------------------------------
D--------------------------------
A--------------------------------
E--------------------------------
Numbers are then placed on these lines to represent finger positions on the
guitar fret board. If you read the diagram below you would play this on a guitar
by putting your finger just behind the 2nd fret on the 5th string (or the second
thickest string). As musical notes this would read as follows B B B C# B A. The
‘zero’ represents playing an open string. So in this case you would play the A
open with no finger position on the fretboard.
e-------------------------------
B-------------------------------
G-------------------------------
D-------------------------------
A--2--2--2--4--2--0------------
E-------------------------------
How to Read Guitar Tab Chords
To tab a chord the notes would be placed in a vertical line upon the
horizontal ones. This diagram represents a C Chord. You would strum the bottom 5
strings of the guitar in one motion if you were to read this tab properly.
e--0----------------------------
B--1----------------------------
G--0----------------------------
D--2----------------------------
A--3----------------------------
E-------------------------------
And this one you would strum the ‘C Chord’ three times.
e--0--0--0---------------------
B--1--1--1---------------------
G--0--0--0---------------------
D--2--2--2---------------------
A--3--3--3---------------------
E------------------------------
The one shortcoming of guitar tab is it doesn’t usually represent how long to
hold a note for, or rhythm very well. Although some good tab writers will
represent it by how much space is between each note. Tab works best if you
listen to the song for guidance on timing then read the notes and practice it.
Here for example is the timing of ‘Day Tripper’ by the Beatles, note the
distances between the numbers, the first ‘0′ would ring slightly longer then the
next 4 notes and the distance between D2 and D0 would also indicate a break in
timing:
e-----------------------------
B-----------------------------
G-----------------------------
D-----------2---0---4---0-2--
A---------2-------2---2-------
E-0---3-4---------------------
| Here
are tablature
for all 5
pentatonic
guitar scale
patterns. Have
Fun! |
|
Pentatonic
Guitar Scale
Pattern 1
|
|
Tablature Legend
A
Pentatonic minor
Scale
Pattern 1 (A C D
E G)
A C D E G A C D E G A C
1 4 1 3 1 3 1 3 1 4 1 4
-------------------------------5--8---------------
-------------------------5--8---------------------
-------------------5--7---------------------------
-------------5--7---------------------------------
-------5--7--------------------------------------
-5--8---------------------------------------------
(also starts at
17th fret) |
A Pentatonic
minor Scale
Pattern 2 (C D E
G A)
C D E G A C D E G A C D
2 4 1 4 1 4 1 3 2 4 2 4
-----------------------------------8--10----------
----------------------------8--10-----------------
----------------------7--9------------------------
---------------7--10------------------------------
--------7--10-------------------------------------
-8--10--------------------------------------------
(also starts at
20th fret) |
A Pentatonic
minor Scale
Pattern 3 (D E G
A C)
D E G A C D E G A C D E
1 3 1 3 1 3 1 4 1 4 1 3
----------------------------------------10--12----
--------------------------------10--13------------
-------------------------9--12--------------------
-----------------10--12---------------------------
---------10--12-----------------------------------
-10--12------------------------------------------- |

A Pentatonic
minor Scale
Pattern 4 (E G A
C D)
E G A C D E G A C D E G
1 4 1 4 1 3 1 3 2 4 1 4
-----------------------------------------12--15---
---------------------------------13--15-----------
-------------------------12--14-------------------
-----------------12--14---------------------------
---------12--15-----------------------------------
-12--15------------------------------------------- |

|
A Pentatonic
minor Scale
Pattern 5 (G A C
D E)
G A C D E G A C D E G A
2 4 1 4 1 4 1 4 2 4 2 4
-----------------------------------------15--17---
---------------------------------15--17-----------
-------------------------14--17-------------------
-----------------14--17---------------------------
---------15--17-----------------------------------
-15--17-------------------------------------------
(also starts at
3rd fret)
|

to be continued..........
Is Music Halal or Haram?
The whole issue of singing is controversial, whether it is with musical
accompaniment or not. Some issues succeeded to gain the Muslim scholars'
agreement, while others failed. All scholars have unanimous view on the
prohibition of all forms of singing and music that incites debauchery,
indecency, or sin. As for musical instruments, given the weakness of the
evidence indicating that they are forbidden, the rule to be applied here is the
one states that all things are originally deemed permissible as long as there is
no Shari`ah text that prohibits them.
Singing is no more than melodious words; if these are good, singing is
considered good; but if they are bad, such singing is deemed bad. Talk that
contains forbidden content is prohibited. What if that talk is accompanied with
rhythm and melody?
Scholars agree on the permissibility of singing without instrumental
accompaniment and where the content is not prohibited. This sort of singing is
allowed only in certain occasions such as: weddings, feasts, welcoming a
traveler, and the like. This is based on the hadith of the Prophet (peace and
blessing be upon him) that states: “He (peace and blessings be upon him) asked,
‘Have you given the girl (i.e., the bride) anything as a present?' They (the
attendants) replied, ‘Yes.' He asked, 'Did you send a singer along with her?'
'No', said `A'ishah. The Prophet (peace and blessings be upon him) then said,
'The Ansar are a people who love poetry. You should have sent along someone who
would sing: Here we come, to you we come, greet us as we greet you.'" In this
case, we can say that a woman can sing only in front of women and her
non-marriageable male kin.
In the subject of musical instruments, scholars disagree on the matter.
Some of them permit all sorts of singing, be it accompanied with musical
instruments or not, and even consider it recommended. A second group of scholars
permit singing only when is not accompanied with a musical instrument. A third
group declare it to be prohibited whether it be accompanied with a musical
instrument or not; they even consider it as a major sin. In supporting their
view, they cite the hadith narrated by Imam Al-Bukhari on the authority of Abu
Malik or Abu `Amir Al-Ash`ari (doubt from the sub-narrator) that the Prophet
(peace and blessings be upon him) said, 'From among my followers there will be
some people who will consider illegal sexual intercourse, the wearing of silk
(clothes), the drinking of alcoholic drinks and the use of musical instruments,
as lawful.' Although this hadith is in
Sahih Al-Bukhari, its chain of transmission is not connected to
Prophet Muhammad (peace and blessings be upon him) and this invalidates its
authenticity. Ibn Hazm rejects it for that very reason. Moreover, the
sub-narrator, Hisham Ibn `Ammar is declared ‘weak' by many scholars of the
Science of Hadith Methodology.
Besides, this hadith does not clearly prohibit the use of musical
instruments, for the phrase 'consider as lawful,' according to Ibn Al-`Arabi,
has two distinct meanings:
First : Such people
think all these (the things mentioned) are lawful.
Second : They exceed
the proper limits that should be observed in using these instruments. If the
first meaning is intended, such people would be thus disbelievers.
In fact, the hadith in hand dispraises the manners of a group of people
who indulge themselves in luxuries, drinking alcohol and listening to music.
Therefore, Ibn Majah narrates this hadith from Abu Malik Al-Ash`ari in the
following wording: "From among my followers there will be some people who will
drink wine, giving it other names while they listen to musical instruments and
the singing of female singers; Allah the Almighty will make the earth swallow
them and will turn them into monkeys and pigs.” (Reported by Ibn Hibban in his
Sahih )
Conclusion on Permissibility
of Musical Instruments
In the light of the above, it is clear that the religious texts that
stand as a basis for those who maintain that singing is
haram are either ambiguous or
inauthentic. None of the hadiths attributed to Prophet Muhammad (peace and
blessings be upon him) is valid as evidence on the judgment of prohibition.
Moreover, all these hadiths are declared ‘weak' by the followers of Ibn Hazm,
Malik, Ibn Hanbal, and Ash-Shafi`i.
In his book, Al-Ahkam
, Al-Qadi Abu Bakr Ibn Al-`Arabi says, “None of the hadiths maintaining that
singing is prohibited are considered authentic (by the scholars of the Science
of Hadith Methodology).” The same view is maintained by Al-Ghazali and Ibn An-Nahwi
in Al-`Umdah . Ibn Tahir
says, “Not even a single letter from all these Hadiths was proved to be
authentic.”
Ibn Hazm says, “All the hadiths narrated in this respect were invented
and falsified.”
Proofs of Those Who Maintain
that Singing is Halal
:
First : The Textual
Proofs:
They base their argument on some authentic hadiths of Prophet Muhammad
(peace and blessings be upon him). One of these hadiths is the following:
`A'ishah (may Allah be pleased with her) narrated: “Allah's Messenger
(peace and blessings be upon him, came to my house while two girls were singing
beside me the songs of Bu`ath (a story about the pre-Islamic war between the two
tribes of the Ansar, the Khazraj and the Awus). The Prophet (peace and blessings
be upon him) laid down and turned his face to the other side. Then Abu Bakr came
and spoke to me harshly saying, ‘Musical instruments of Satan near the Prophet
(peace and blessings be upon him)?' Thereupon, Allah's Messenger (peace and
blessings be upon him) turned his face towards him and said, ‘Leave them.' When
Abu Bakr became inattentive, I signaled to those girls to go out and they left.”
(Reported by Al-Bukhari)
This indicates that these two girls were not so young as claimed by some
scholars. If they were, Abu Bakr would not have been angry with them in such
manner. In addition, in this hadith, the Prophet (peace and blessings be upon
him) wanted to teach the Jews that Islam has room for merriment and that he
himself was sent with a moderate and flexible legislation. There is also another
important lesson to learn here. It draws our attention to the fact that one
needs to introduce Islam to others in a good fashion, along with displaying its
moderateness and magnanimity.
Moreover, we can also cite as corroborating this Allah's words that read,
“But when they spy some merchandise
or pastime they break away to it and leave thee standing. Say: That which Allah
hath is better than pastime and than merchandise, and Allah is the best of
providers.” (Al-Jumu`ah: 11)
In this verse, Allah Almighty joins pastime with merchandise. He does not
dispraise any of them, He just only rebuked the Companions who left Prophet
Muhammad (peace and blessings be upon him) alone giving the
khutbah (Friday Sermon), when
they all rushed to attend to the caravan and beating of the drums celebrating
its arrival.
Second : In Respect of
Islam's Spirit and Basics:
It is a fact that Allah had prohibited for the Children of Israel some of
the good things of this worldly life as a punishment for their misdeeds.
He says, “Because of the
wrongdoing of the Jews, We forbade them good things which were (before) made
lawful unto them, and because of their much hindering from Allah's way. And of
their taking usury when they were forbidden it, and of their devouring people's
wealth by false pretences. We have prepared for those of them who disbelieve a
painful doom.” (An-Nisa': 160-161)
Before sending Prophet Muhammad, He Almighty referred to him in the
earlier scriptures as, “Those who
follow the Messenger, the Prophet who can neither read nor write, whom they will
find described in the Torah and the Gospel (which are) with them. He will enjoin
on them that which is right and forbid them that which is wrong. He will make
lawful for them all good things and prohibit for them only the foul.”
(Al-A`raf: 157)
Thus, Islam left nothing good or sound but declared it to be
halal (lawful). This is a sign of
mercy to this Ummah (nation or community), moving along the line of its
comprehensive and eternal message. Allah Almighty says,
“They ask you (O Muhammad) what is made
lawful for them. Say: (all) good things are made lawful for you.”
(Al-Ma'idah: 4)
If we are to delve deeply into this matter, we will find that love for
singing and melodic voices are almost a human instinct. We can observe an infant
lying in his cradle soothed and sleeping by the sound of a lullaby. Mothers and
nannies are always in the habit of singing for babies and children. Moreover,
birds and animals respond to nice voices and rhythmic melodies.
Thereupon, if singing is thus a human instinct, it is not for Islam to
defy humankind's instincts. Islam came to refine and promote the human instinct.
Ibn Taymyiah says, “Prophets were sent to polish and discipline man's instinct
and not to change or modify it.” This is pursuant to the hadith that reads,
“When Allah's Messenger came to Madinah, he found them (i.e., the people of
Madinah) celebrating two days. He said, ‘What are these days?' They replied, ‘We
used to rejoice in these days during the pre-Islamic era.' He (peace and
blessings be upon him) said, ‘Verily,
Allah Almighty has given you two alternative days which are much better: these
are Al-Adha and Al-Fitr days (`Eids).' ” (Reported by Ahmad, Abu
Dawud and An-Nasa'i)
Moreover, if singing is to be considered rejoicing and play, these are
not haram ; this is in
pursuant to the famous idea that man needs some time to relax a bit and rejoice.
The Prophet (peace and blessings be upon him) said to Hanzalah who thought
himself to be a hypocrite for his attendance to his wife and children and the
change that affected him when he was apart from Allah's Prophet (peace and
blessings be upon him), “O Hanzalah!
Part of your time should be devoted (to the worldly affairs) and part of time
(should be devoted to prayer and meditation).” (Reported by
Muslim)
`Ali Ibn Abu Talib says, “Amuse yourselves for some time, for if hearts
are exposed to too much strain, they turn blind.”
Abu Ad-Darda' said, “I refresh myself with some amusement in order to
make myself stronger on the path of right.”
Imam Al-Ghazali answered someone who asked him: “Isn't singing some kind
of play and rejoice?” He said, “Yes. But, all that exists in this present life
is mere play and rejoice. All that takes place between a husband and his wife is
play, except sexual intercourse that is the direct cause of reproducing
children. This has been reported from Allah's Messenger and his honorable
Companions.”
In fact, leisure time is refreshing to the heart and alleviates its
tensions at the same time. Excessive strain and efforts render the heart bored
and blind. Amusing the self refreshes and renews its strength and vigor. One who
continuously works hard at something should take a break for a while in order to
restore and regain his energy and firm will lest he totally collapses in future.
When one takes a break, he thus restores his strength and vigor. Only Prophets
can stand absolute seriousness. Having leisure time is a form of treatment for
diseases of the self, weariness and boredom. But, leisure should not be
excessive. This will go against the whole issue of rejoicing hearts to make them
able to go on.
One who is familiar with and experienced in the nature of the human heart
and self knows for certain that recreation and relaxation are necessary
treatments for one's well-being.
These proofs on the permissibility of singing are extracted from the
texts and rules of Islam, and these are sufficient to clarify the issue.
In addition to this, the people of Madinah, who were very pious and
God-fearing, the Zahiriyyah, who were very literal regarding the textual proofs,
and the Sufis, who were very strict and rigid, were all quoted to have declared
the permissibility of singing.
Imam Ash-Shawkani says in his book “
Nayl Al-Awtar ”, “The people of
Madinah and those who agreed with them from among the Zahiriyyah and the Sufis
maintain that singing is permissible, even when it is accompanied by a musical
instrument such as the lute or the flute. Abu Mansur Al-Bughdadi Ash-Shafi`i
narrate that `Abdullah Ibn Ja`far saw nothing wrong in singing, and he, himself,
used to compose the music for his own slaves who used to sing these melodies in
his presence. This took place during the time of Commander of the Faithful, `Ali
Ibn Abi Talib. Abu Ja`far Al-Bughdadi narrates the same after Al-Qadi Shurayh,
Sa`id Ibn Al-Musaiyb, `Ata' Ibn Abu Rabah, Az-Zuhri and Ash-Shi`bi.”
Ar-Ruwaiyani narrates on the authority of Al-Qaffal that Malik Ibn Anas
maintained that singing with musical instruments is permissible. Also, Abu
Mansur Al-Furani quotes Malik as maintaining that playing the flute is
permissible.
Abu Al-Fadl Ibn Tahir narrates, “The people of Madinah never disputed
over the permissibility of playing the lute.”
Ibn An-Nahwi narrates in his “
Al-`Umdah ”: “Ibn Tahir said, ‘The people of Madinah showed
consensus over this (issue). Also, all the Zahiriyyah maintained the same.'”
Al-Mawardi attributes the permissibility of playing the lute to some of
the Shafi`i followers and students. This has been narrated also by Abu Al-Fadl
Ibn Tahir after Abu Ishaq Ash-Shirazi; and it is narrated by Al-Isnawi after
Ar-Ruwaiyani and Al-Mawardi. Again, this is narrated by Al-Adfuwi after Sheikh `Izz
Ad-Deen Ibn `Abd As-Salam. It is also narrated after Abu Bakr Ibn Al-`Arabi.
All these scholars consider singing that is accompanied by musical
instruments permissible, but as for singing that is not accompanied by musical
instruments, Al-Adfuwi says, “In some of his jurisprudence-related books, Al-Ghazali
narrates the consensus of the scholars on its permissibility." Also, Ibn Tahir
narrates the consensus of the Prophet's Companions and those who succeeded them
on this very topic. Ibn An-Nahwi states in
Al-`Umdah that singing and
listening was deemed permissible by a group of the Companions and the Followers.
Conditions and Terms:
There are some conditions and terms that should be observed regarding
listening to singing, as follows:
1. Not all sorts of singing are permissible. Rather, the permissible song
should comply with the Islamic teachings and ethics. Therefore, the songs
praising the tyrants and corrupt rulers disagree with Islamic teachings. In
fact, Islam stands against transgressors and their allies, and those who show
indifference to their transgression. So, the same goes for those songs that
imply giving praises to such attitude!
2. Also, the way the song is performed weighs so much. The theme of the
song may be good, but the performance of the singer – through intending
excitement and arousing others' lusts and desires along with trying to seduce
them – may move it to the area of prohibition, suspicion or even detest. The
Glorious Qur'an addresses the wives of Prophet Muhammad (peace and blessings be
upon him) saying, “O you wives of the
Prophet! You are not like any other women. If you keep your duty (to Allah),
then be not soft of speech, lest he in whose heart is a disease aspire (to you),
but utter customary speech." (Al-Ahzab: 32) So, one has to show
caution to music when there is softness of speech accompanied with rhyme,
melody, and special effects!
3. Singing should not be accompanied with something that is prohibited
such as alcohol, nakedness, mixing of men with women that is common in pubs and
nightclubs, etc.
4. Islam has declared excessiveness as prohibited in everything. The same
goes for excessiveness in leisure and recreation even though these things are
permissible ! This indicates that the emptiness of the mind and heart has to be
observed and tackled during man's short-term life. One should know that Allah
Almighty will ask every one about his life and his youth in particular.
There are some things in which one is to be his own judge and Mufti. If
there is some kind of singing that arouses his own lust or desire, and takes him
away from the real life, he should avoid it then and block that very gate from
which the winds of trial and seduction may come and erase his religion, morals
and heart. If he does this, he will live in peace and tranquility.
Warning against playing with
the word “ haram
”
To conclude, we address the respectful scholars who tackle the word “
haram ” easily and set it free in
their writings and fatwas that they should observe that Allah is watching over
them in all that they say or do. They should also know that this word “
haram ” is very dangerous. It
means that Allah's Punishment is due on a certain act or saying, and should not
be based upon guessing, whims, weak Hadiths, not even through an old book. It
has to be supported by a clear, well-established text or valid consensus. If
these last two are not found, then we revert the given act or saying to the
original rule: "permissibility governing things". We do have a good example to
follow from one of our earlier pious scholars. Imam Malik (may Allah be pleased
with him) who said: “It was not the habit of those who preceded us, the early
pious Muslims, who set good example for the following generations, to say, 'This
is halal , and this is
haram . But, they would say, ‘I
hate such-and-such, and maintain such-and-such, but as for
halal and
haram , this is what may be
called inventing lies concerning Allah. Did not you hear Allah's Statement that
reads, 'Say: Have you considered what
provision Allah has sent down for you, how you have made of it lawful and
unlawful? Say: Has Allah permitted you, or do you invent a lie concerning
Allah?” (Yunus: 59) For, the
halal is what Allah and His
Messenger made lawful, and the haram
is what Allah and His Messenger made unlawful.
(http://www.muslimaccess.com/articles/misc/music_in_islam.asp)
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